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The Bankhead Program in black text on yellow background

Bankhead Presents Program | May 2026

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SPARC Theater: The Glass Menagerie
FRI MAY 1—SUN MAY 3

God Is A Scottish Drag Queen 2
FRI MAY 8 @ 8 PM

God, dressed in a floral power suit, comes down to set the record straight and expound on everything from Pocahontas to the Platypus and answer humankind’s most asked questions in the hilarious and unforgettable sequel God Is A Scottish Drag Queen 2. Loved by Preachers and Atheists alike, this franchise has quickly become one of the most popular one-man shows touring today, and has received critical acclaim for its non-stop, brilliant look at pop culture and humanity through the eyes of a silly, foul-mouthed, and very lovable Scottish Deity. Although comedian Mike Delamont and his previous shows have delighted The Bankhead more than once over the past few seasons, one does not need to have seen the original show to enjoy this standalone sequel!

The title character of the show was created in a monthly cabaret called Atomic Vaudeville and was an instant hit. In 2011, Mike Delamont created the very first one-act production of God Is A Scottish Drag Queen and began touring it on the North American fringe circuit. In 2015, the show was developed into a larger-scale, two-act, theatrical production that has now spawned two full-length sequels and a Christmas special. The success of the character is that the show perfectly blends major political topics, biblical history, and silly pop culture, and is told through the voice of a deity who is clearly in on the joke!

LVA Sponsor

LVA Sponsor

LVA Sponsor

Glen Phillips (of Toad the Wet Sprocket)
SAT MAY 9 @ 8 PM

During his almost 40 years as lead singer and main songwriter of Toad the Wet Sprocket, Glen Phillips has helped create the band’s elegant folk/pop sound with honest, introspective lyrics that forged a close bond with fans. Alongside his work with Toad, Glen has released acclaimed solo albums and collaborated on projects ranging from Mutual Admiration Society (with members of Nickel Creek) to the experimental Remote Tree Children.

“I’ve been playing a songwriting game with Texas folk singer Matt The Electrician for about ten years,” Glen says. “Every Friday, he sends out a title. We have a week to write a song that includes it. The process allows me to write songs I wouldn’t write on my own. I’m always surprised at what comes out.” That sense of curiosity and play continues to fuel his creative life. Coming off a very full year of music, Glen played to packed solo shows across the US, toured the Rockies with John Craigie, and hit the road with Toad the Wet Sprocket for a massive summer tour that featured openers The Jayhawks, Sixpence None the Richer, KT Tunstall, and Vertical Horizon. This fall he heads overseas to tour the UK with Colin Hay, and in October he hosts his first-ever European river cruise on the Danube, traveling from Budapest to Nuremberg.

Glen has also launched a new partnership with Volume, where he’ll be live streaming at least once a month. These shows give him the chance to connect with fans when he and Toad are off the road, offering a space for community, new songs, deep cuts, and the stories behind the music. “I have a long history of livestreaming, and am excited to start a new chapter with Volume. Their format allows me not just to do livestreams, but also post new material and host online get-togethers.”

Looking ahead, Glen plans to begin work on a new solo album in 2026. “I’ll be spending this year writing new material for both Toad and solo projects. There’s also an acoustic Toad album coming out, as well as a side project solo collection of songs. Between that and touring, I’ll be plenty busy.”

Mariachi Divas de Cindy Shea
SUN MAY 10 @ 3 PM

With a career spanning 24 years, the critically acclaimed all-female Mariachi Divas de Cindy Shea specializes in providing professional mariachi music for live concerts, commercials, television, and film recordings. A two-time GRAMMY Award winner, with eight GRAMMY nominations and three Latin GRAMMY nominations, the ensemble continues to expand the scope of mariachi music, delighting audiences from around the world.

Founded in 1999 by musical director and trumpet player Cindy Shea, Mariachi Divas is celebrated for its innovative and eclectic array of music ranging from mariachi classics to jazz and pop. Mariachi Divas is known for its sophisticated, smooth, and refined, elegant musical style. Since 2003, Mariachi Divas has been the official all-female mariachi of Walt Disney Parks and Resorts, performing year-round at Disneyland, Disney California Adventure, and Downtown Disney in Anaheim, California. The group is also the official mariachi for Disney Pixar’s Coco inspired show at Plaza de La Familia/Día de Los Muertos celebration at Disney California Adventure. Mariachi Divas is often sought after to appear in various television, film, and music video projects.

They have performed, recorded, and collaborated with artists such as, Alejandro Fernández, “Agridulce” on the album Rompiendo Fronteras (2017), Ozomatli, single “Volver, Volver” (2017), Natalia Jiménez of La 5a Estación and Sergio Vallín of Maná, single “Esa Soy Yo” (2009) to name a few. Additionally, Mariachi Divas has appeared in two music videos with major recording artists: OhNo’s “Suavemente” (2019) and U2’s “Song for Someone” (2016).

With an established recording track record, their discography includes nineteen professional full-length album releases co-produced by Cindy Shea through East Side Records.

East Bay Jazz 10th Anniversary Concert
FRI MAY 15 @ 8 PM

Possessing a voice as cool and crystalline as an Alpine stream, Natalie Cressman draws inspiration from a vast array of musical currents. A prodigiously talented trombonist, she’s spent the last 14 years touring as a horn player and vocalist with Phish’s Trey Anastasio, while also performing around NYC with jazz greats Wycliffe Gordon, Nicholas Payton, Anat Cohen, Dave Douglas, and Peter Apfelbaum.

Deeply versed in Latin jazz, post-bop, pop, and Brazilian music, Cressman has released three albums under her own name as well as three acclaimed duo albums with Brazilian-born guitarist Ian Faquini, her primary musical partner for the past decade. Together they’ve honed a singularly expansive creative communion encompassing their love of the Brazilian songbook, jazz, Impressionism and sophisticated pop songcraft. Focusing on their original songs, the duo’s recordings include 2019’s Setting Rays of Summer, 2022’s Auburn Whisper, and 2024’s GUINGA, a tribute to the revered Brazilian composer and guitarist.

Cressman’s trombone prowess has earned her widespread recognition. In 2019, 2023, and 2025, Downbeat awarded her “Rising Star Trombone” honors in the magazine’s annual critics’ poll.

Drawing on her love of groove, cool R&B and jazz, Cressman released the solo albums, Unfolding (2012) and Turn the Sea (2014), followed by  Etchings in Amber (2016), a gorgeous duo album with guitarist Mike Bono that introduced Cressman as a formidable musical force without her horn. She released The Traces EP in 2017, which expanded her creative reach into post-production with meticulously crafted soundscaped tracks inspired by R&B and indie pop.

Her passion for groove music hasn’t diluted her love of jazz. In 2016 SFJAZZ commissioned her to develop music for a concert celebrating the legacy of jazz trombonist/arranger Melba Liston. When she’s not performing her own music, Cressman can be found collaborating with some of the most illustrious figures in rock, funk, jazz and beyond such as Carlos Santana, Phish, Big Gigantic, Escort, Phil Lesh, Oteil Burbridge, The Motet, and Umphrey’s McGee.

Her mother, Sandy Cressman, is a jazz vocalist who immersed herself deeply in Brazilian music, collaborating with many of the country’s most respected musicians. Her father, Jeff Cressman, is a recording engineer and trombonist who recently concluded a two-decade run with Santana. Natalie quite naturally began studying trombone with her father, but set out to be a dancer rather than a musician. An aspiring ballerina until her junior year of high school, she changed courses when an injury sidelined her dance aspirations.

Her parents provided entrée to a number of enviable opportunities, but Cressman’s own prodigious gifts continued to merit her presence in any number of high-profile settings. She soon found herself playing salsa with Uruguayan percussionist Edgardo Cambon e Orquesta Candela, Latin jazz with Pete Escovedo’s Latin Jazz Orchestra, world music with Jai Uttal and the Pagan Love Orchestra, and globally-inspired avant-garde jazz with multi-instrumentalist Peter Apfelbaum, a close family friend. Cressman traveled east in 2009 to study at the Manhattan School of Music, and the following year jam band pioneer Trey Anastasio recruited her for his touring band. He met Cressman at 18, and “was instantly floored by how melodically and naturally she played and sang,” Anastasio says. “Natalie is the rarest of musicians. Born into a musical family and raised in a home filled with the sounds of Brazilian music, jazz and Afro-Cuban rhythms, musicality is in her DNA.” These days, she’s blazing new musical trails with Faquini, creating sumptuous songs where jazz and the Brazilian songbook intermingle.

Natalie is endorsed by King Trombones.

UNCLE Credit Union Art Gallery at the Bankhead Theater

Presenting Splendid Surroundings in Watercolor

Thru May 10, 2026
Thursdays — Saturdays, 12 pm — 5 pm*
FREE & OPEN to the Public

*PLEASE NOTE: The Art Gallery is CLOSED Sundays through Wednesdays, as well as on Saturdays when matinee performances take place at The Bankhead. 

California Watercolor Association artists draw inspiration from the places they’ve explored and the people who’ve left a lasting impression. This exhibition features a wide range of watercolor paintings inspired by those experiences, from vibrant landscapes and peaceful still lifes to expressive portraits, figures, and abstracts. Together, the works offer a colorful and personal look at the moments, memories, and scenes that spark creativity—and invite visitors to slow down, look closely, and enjoy the journey. The Reception for “Presenting Splendid Surroundings in Watercolor,” also free and open to the public at the UNCLE Credit Union Art Gallery, was on Saturday, April 11, from 1 pm to 3 pm. Learn More …

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Earlier This Month

It's Membership March
New Members can join for as little as
$120 for the whole year!

James (zijian) wei
Sat mar 21 @ 3:00pm

YOUTH ALWAYS FREE!

Fandango! 

SAT OCT 18 | 2PM 
One of the most exciting groups on Chicago’s musical scene, Fandango! presents a spicy mix of Latin, Spanish, Sephardic, Balkan, and classical sounds. Founded by four multi-award-winning, globe-trotting virtuosi who hail from SpainFranceBosnia, and Taiwan, they have played, separately and together, on the world’s most prestigious stages.

Get Tickets Now for a Semi-Staged
co-production with Broadway South Bay starring Nicole King as Anya

24th Annual
ArtWalk Livermore
THIS SATURDAY!

Annual ArtWalk
Saturday, October 11 | 11am – 5pm
Join us at ArtWalk – the Tri Valley’s premiere one day art festival. Over 200 artists display their works on sidewalks and plazas, in parks and galleries, surrounded by boutique shops, wine tasting rooms and restaurants in historic downtown Livermore.

Livermore Valley Arts offices are closed today,
Thursday, June 19th.

Join by Mail

Download and Complete the form and then mail to us at:
Bankhead Theater
2400 First Street
Livermore, CA 94550

Our Team

Directory

Executive Director
Chris Carter
[email protected]

Director of Finance and Administration
Reanna Bradford
[email protected]

Director of Marketing
Ruth Egherman
[email protected]

Director of Operations
Eric Johnson
[email protected]

Production Manager
Gary Brunclik
[email protected]

Assistant Production Manager
Rachel Anderson
[email protected]

Front of House Supervising Manager/Volunteer Coordinator
Carol Edwards
[email protected]

Facility Manager and IT Coordinator
Julio Gomez
[email protected]

Box Office Manager
Debra Olson
[email protected]

Visual Arts & Education Manager
Anne Giancola
[email protected]

Development Manager
Brittany Mulgrew
[email protected]

Front of House Supervising Manager/Volunteer Coordinator
Bernice LaRosa
[email protected]

Programs Coordinator
Treg Van Dyke
[email protected]

Marketing Manager
Andrew Kracht
[email protected]

Social Media Manager
Allie Lopiano-Hastey
[email protected]

Food and Beverage Manager
Ann Rice
[email protected]

Development Assistant
Tracy Sahn
[email protected]

Visitor Center Supervisor
Susan Miller
[email protected]

RESIDENT COMPANIES

Get to Know Our Resident Companies

Home to ten Resident Companies with over 270 combined years of artistic experience, the Bankhead Theater’s state-of-the-art facilities enable these organizations to grow artistically and institutionally, develop audiences and collaborate on key projects while maintaining their respective missions and identities.

Cantabella Children’s Chorus

Cantabella Children’s Chorus is a non-profit organization located in the Livermore Tri-Valley. CCC strives to foster and promote the appreciation of choral music in the community through performances at various local corporate and civic functions and churches but above all to have fun.

Del Valle Fine Arts

Del Valle Fine Arts has been presenting outstanding classical music concerts in Livermore for over 35 years. This highly-regarded series offers dazzling performances by acclaimed professional chamber music groups and soloists from throughout North America and beyond. A particular objective of DVFA is to introduce young persons to the appreciation of fine music. To that end, children are admitted free to its concerts, and full-time students above high school can procure tickets at a special reduced price.

Livermore-Amador Symphony

Livermore-Amador Symphony – The symphony offers four concerts a year, as well as a Pops fundraiser. Symphony Guild – If you enjoy LAS concerts, join like-minded people of the Symphony Guild and support this community orchestra! Guild members encourage interest in the symphony and sponsor fund-raising activities. The Livermore-Amador Symphony has received funding from: Lawrence Livermore National Security, LLC, City of Livermore Commission for the Arts, City of Livermore Tourism and Special Event Fund, Livermore Cultural Arts Council, Clorox Company Technical Center-Pleasanton, Target and Livermore Rotary.

Livermore Valley Opera

Livermore Valley Opera combines the talents and expertise of professional music, stage and chorus directors, principal singers, musicians, and designers with the dedication and practical abilities of a volunteer board, adult chorus, stage crew, props master, stitchers, and set builders. Each fall and spring, LVO presents locally produced, fully staged operas with orchestra. Additionally, LVO presents special concerts, events and fundraisers in the winter and “Opera in the Vineyard” in the summer. LVO promotes local talent and attracts outstanding Bay Area singers, directors and conductors.

Pacific Chamber Orchestra

The Pacific Chamber Orchestra (PCO) is a 40 piece symphony orchestra composed of professional musicians from throughout the Bay Area. It was founded over 20 years ago by its talented conductor and musical director, Lawrence Kohl. The orchestra combines the precision of a small ensemble with surprising dynamic range and power. PCO is notable for innovative and insightful interpretations of music of all eras.

Rae Dorough Speaker Series

The Rae Dorough Speaker Series features leading thinkers in science, literature and the arts who discuss topical issues of particular interest to the Livermore community in the intimacy of the Bankhead Theater.

Sycamore Strings Academy / Bothwell Arts Center

The Sycamore Strings Academy (formerly Suzuki Strings Academy) carries on a tradition from 1984 of quality music education in the Tri-Valley area. The Academy includes certified Suzuki instruction on string instruments, licensed Kindermusik classes and a popular guitar program. Students perform across the region in year-round concert series.

Tri-Valley Repertory Theatre

Formerly Pleasanton Playhouse, Tri-Valley Repertory Theatre presents a variety of audience-pleasing musical theater. As a non-profit, volunteer regional arts organization, we continue our mission to provide affordable quality theatre, training and cultural experiences, with a focus on children and family participation.

Valley Concert Chorale

The Valley Concert Chorale is a chorus of about 40 singers, many of whom live in the Tri-Valley area, including Livermore, Pleasanton, San Ramon and Danville. VCC’s director is John Bush and featured pianist is Daniel Glover. If you would like to sing with VCC, why not arrange for an audition? You can audition at any time, and then join the chorus at the beginning of the next quarter.

Valley Dance Theatre

Valley Dance Theatre is a non-profit organization committed to providing exceptional dance instruction and productions to the Tri-Valley Area. Their focus is in classical ballet and modern dance. Each year they present a full-length Nutcracker with a live orchestra, and a Spring show with varying themes.

accessibility at the bankhead

Accessibility

TICKETS
Wheelchair accessible seats cannot be purchased online. You must call our Ticket Office in advance at 925.373.6800 for seating and to ensure your needs are thoroughly met.

DROP OFF/PICK-UP
There is a drop-off/pick-up area located on Railroad Avenue, on the right side of the street, before you reach the stoplight to enter the parking garage.

PARKING
Handicapped-reserved spaces are located on the lower level of the Livermore Valley Center parking garage.

SEATING
An elevator is located on the West end of the main lobby.

LISTENING DEVICES
Assistive listening devices are available free of charge from the House Manager’s Office in the lobby. Please let us know when purchasing your ticket of your special needs.

RESTROOMS
Fully accessible restrooms are located in the main lobby and in the upper lobby.

Support the Arts

Inscribed Pavers

Dedicate one of the decorative paver blocks that frame and define the entry from the Livermore Valley Plaza to the Bankhead Theater. Each size allows you to personalize your dedication and/or message. Once you’ve placed your order we’ll contact you to help you choose the exact message for the paver you’d like to donate.

LOGO & BRICK ART
Permanently commemorate a company or brand, feature your family crest or create your own custom design while supporting the arts with an engraved logo or artistic brick. The image will be etched in black on a sand-colored paver (6×12 or 12×12) or light gray granite tile (24×24). They are visible to thousands of people each year attending a variety of events and performances on the Livermore Valley Plaza and in the Bankhead Theater.

24″ x 24″ – Madden Family Courtyard – $1,500
12″ x 12″ – Livermore Valley Plaza $1,000
Logo Art Brick – Livermore Valley Plaza $500
6″ x 12″ – Livermore Valley Plaza $375
6″ x 9″ – Livermore Valley Plaza $150


PERSONALIZED SEATS
Seat donations will be recognized by a commemorative medallion on your chosen chair in the Bankhead Theater as well as on the Donor Wall in the Lobby.

Grand Tier Seats $5,000
Central Tier Seats $2,500
Upper Tier Seats $1,000

Please note: donating a personalized seat does not guarantee the right to sit in that seat for a given performance.

Leave a Legacy

With a legacy gift to Livermore Valley Arts, you can be sure your charitable intentions will be realized while achieving the most favorable income tax benefits available. We are happy to meet with you to talk about your intentions and situation. However, we strongly recommend you consult with your estate planning professional or tax advisor to fulfill your goals for your financial portfolio and tax needs.

Making a legacy gift to the Center also qualifies you to join the Legacy Society, a group of philanthropic and pioneering members who share a strong bond with LVPAC and a desire to ensure a meaningful, lasting home for the arts in Livermore Valley.

If you have already included LVA in your plans (or if you intend to), please let us know. Contact Chris Carter, Executive Director, at [email protected] or call (925) 583-2311.

We accept a range of planned giving options:

In Your Will
The simplest way to leave a planned gift is to make a bequest including specific language in your will or living trust naming LVA as the recipient. The following is an example of suggested language to include in your will/trust:

“I give and bequeath to the Livermore Valley Performing Arts Center, a California non-profit corporation, located at 2400 First Street, Livermore, CA 94550, the sum of $____, or ______% of my estate, to be used for the accomplishment of its general purpose (or for a specific purpose as indicated).”

Charitable Gift Annuities
A charitable gift annuity (CGA) is the easiest way to create dependable income for life and help the Center. Please note that LVA does not administer CGAs but can recommend an administrator.

Charitable Trusts
A Charitable Remainder Trust or Charitable Lead Trust allows you to receive an estate or gift tax deduction and create a source of income for you or your loved ones while supporting the Center. Please note that LVA does not administer these trusts but can recommend an administrator.

Real Estate/Appreciated Assets
A variety of assets can be donated such as real estate, appreciated securities, and tangible personal property such as art or jewelry. Donating appreciated assets can help offset income and capital gains taxes. If you are contemplating gifting an investment property or a vacation home, a gift of real estate offers an excellent option for tax-wise giving. You can also include the Center as a beneficiary of real estate or appreciated assets in your will. Please be aware that as part of our gift acceptance policy, all gifts of real estate, appreciated assets and tangible personal property are examined on a case-by-case basis.

Retirement Plan Donations or Life Insurance Policies
You can name Livermore Valley Arts as the beneficiary of your IRA, 401k or 403b retirement plan or life insurance policy. This is a simple, effective way to support the arts while reducing or eliminating significant, often unanticipated tax penalties.